Wednesday, March 28, 2012
Tuesday, March 27, 2012
Not Quite Hollywood and American Grindhouse.
Monday, March 26, 2012
Sunday, March 25, 2012
12 Great Movies the Critics Got Dead Wrong
If you’ve paid much attention to film festival coverage over the past few months, you’ve probably heard a thing or two about a film called The Raid (it was later given the rather silly subtitle Redemption, though I’ll be damned if I recall anybody being redeemed in it). It screened at Toronto, Sundance, and SXSW, and it is a knockout—a powder keg of pure action, done with deadpan humor and hyperkinetic style. I saw it at an all-media screening at Sundance, and even among that jaded group, the audience literally gasped at loud at several points, and burst into applause at the end. It’s terrific cinema.
And that’s why so many people who have seen it are losing their shit over Roger Ebert’s inexplicable one-star review of the movie, which went online last night. He complains about the film’s “wall-to-wall violence,” cracks that “if I estimated the film has 10 minutes of dialogue, that would be generous,” and says that the picture is “almost brutally cynical in its approach.” This coming from a guy who gave three stars to Transformers and most of the Fast/Furious franchise. The point is, sometimes the critics just plain get it wrong. After the jump, we’ll take a look at a dozen classic movies, and the scribes who blew the call on them.
10 Great American Gangster Movies
This month marks 40 years since The Godfather's theatrical opening. To honor the occasion, here's look at the picture's peers among the great canon of American gangster films. We kept the list domestic for the sole purpose of keeping it to a manageable length; for the same reason, we've tried to focus on films that are primarily gangster films, as opposed to movies like Reservoir Dogs that are heist movies or other genres with organized crime in the background. Below, we'll take a look at The Godfather within that canon: the film itself, the films that inspired it, and the films it inspired in turn.
Six Lessons Learned at the SXSW Film Festival
Your humble film editor spent last week at the South by Southwest Film Festival—my first time not only at that event, but in Austin, period. (It’s a lovely town, full of friendly folks and outstanding smoked meat products.) Normally, when I go to a film festival, I just try to jam as many movies into my eye-holes as possible, but there were some interview and panel opportunities this year, and I knew you guys wouldn’t forgive me if I passed up the chance to talk to Patton Oswalt or Nick Offerman or Aubrey Plaza or Mike Birbiglia, or to go to panels with Joss Whedon or Lena Dunham and Judd Apatow. But the moviegoing took a hit—I accomplished a pathetic average of two movies per day. Hell, I do better than that sneaking into multiplexes at home.
And although I managed to see not a single solitary one of the SXSW Film award winners, I did learn some valuable lessons from the movies I did manage to see. I’ll share them with you after the jump!
Flavorpill’s Guide to Movies You Need to Stream This Week
Welcome to Flavorpill's streaming movie guide, a new feature in which we help you sift through the scores of movies streaming on Netflix, Hulu, and other services to find the best of the recently available, freshly relevant, or soon to expire. This week, we've got a new mash-up music documentary, films from Darren Aronfsky, Jim Jarmusch, and Werner Herzog, and a couple of titles we told (or showed) you about over the past couple of weeks. Check them all out after the jump, and follow the title links to watch them right now.
This Week in Trailers: ‘The Host,’ ‘Cosmopolis,’ and More
Every Friday here at Flavorwire, we like to gather up the week’s new movie trailers, give them a look-see, and rank them from worst to best—while taking a guess or two about what they might tell us (or hide from us) about the movies they’re promoting. It’s a pretty light week, with only five new trailers to share, though they include new films from Toni Collette, Michael Sheen, Andy Serkis, and Twilight author Stephenie Meyer, as well as the David Cronenberg-Robert Pattinson collaboration that you never knew you wanted. Check ‘em all out after the jump, and share your thoughts in the comments.