Friday, December 15, 2017

I Wrote These Things, Mostly in Early December

The end of the year is a bleary-eyed blur, in which you're just desperately trying to get all the things filed, do all the holiday stuff, and maybe even sleep on occasion. Here are some things I've written lately, or at least the ones I can remember.

I returned to Slate for this piece on The Post, and All The President's Men, and Katharine Graham's representation (or lack thereof) in both.

The Fall of 1997 series continues over at Vice! Here's column number six, on Good Will Hunting and The Sweet Hereafter, and column number seven, covering Titanic, Amistad, and Kundun.

I made a list for NY Times Watching of movies you can see in The Shape of Water. And I also reviewed the movie for Flavorwire.

Also for Flavorwire on the review front: a little something about the Star Wars picture. It's great!

I wrote about the unsurprising but still stupid responses of male actors to the John Oliver/Dustin Hoffman thing.

'Tis the season, so I did new listicles of insane Christmas songs and streaming holiday movies. And a gift guide!

There are DVD/VOD guides, of course, for 11/28, 12/5, and 12/12.

Plus the usual streaming guide and indie guide for December. Not too late to enjoy those!

Galleries! Look, it's old movie stars getting all holiday spirit-y!

And a bunch of posters for classic Christmas movies!

Some charming stuff from Kate Micucci's show at Gallery1988.

And finally, some illustrations from Folio Society's new Bond books.

I can't imagine I'll do this again before the holidays, so y'know, happy holidays!

Sunday, November 26, 2017

I Wrote These Things: Weeks Ending 11/25

Over at VICE, my Fall of '97 series continued with this look at Eve's Bayou and One Night Stand.

I wrote about Errol Morris's forthcoming Netflix series (and, if you live in a lucky enough market, double-length documentary film) Wormwood, from its DOC NYC screening.

Also wrote a full review of Mudbound, which I've been raving about since Sundance.

Also very good: Call Me By Your Name, which I reviewed here.

Wasn't as nuts about Darkest Hour. I mean, y'know, it's fine.

Galleries! Enjoy some totally cute illustrations of great movie dogs, and a bunch of stuff from Gallery1988's eleventh "Crazy 4 Cult" exhibition.

And your DVD/VOD guides for 11/14 and 11/21.

Monday, November 13, 2017

I Wrote These Things: Weeks Ending 11/10

Woo-wee, it's been a big couple of weeks! Here's what I've been up to:

The biggest deal was the much-discussed dust-up between Disney and the Los Angeles Times, which resulted in boycotts from journalists and critics organizations, until Disney blinked. I'm proud to say Flavorwire was the first outlet to announce a blackout of Disney coverage until the issue was resolved; even better, I made my non-intern debut at the Village Voice with a bit of reporting and commentary on the matter.

Also for the Voice, I did a preview of DOC NYC, Gotham's big documentary film festival.

At VICE, I did a big piece on the complicated morality of Martin McDonagh's films (particularly his new one, Three Billboards Outside Ebbing, Missouri), as well as the fourth column in the Fall of 1997 miniseries, this one on Gattaca and Starship Troopers. Oh, and speaking of Three Billboards, I did a round-up of my favorite Frances McDormand performances for Watching.

Also, I made my debut at Uproxx, with a big rundown of failed late-night talk shows.

Back at Flavorwire, I put together a fun trivia post about Mel Gibson!

I reviewed Lady Bird, which you really should see.

Also reviewed Murder on the Orient Express, which you can safely skip.

And here's an indie guide for November.

In commemoration of the Scott Eyman book and Film Forum series Hank and Jim, I did a listicle of Old Hollywood friendships.

Gallery1988 did a charming exhibit called "Down Time," and threw us a gallery.

There are DVD/VOD guides, of course, for 10/31 and 11/7.

Finally, The Deuce ended, so here's my recap of the finale.

Monday, October 30, 2017

I Wrote These Things - Weeks Ending 10/28

First off, I had two new things at VICE: a piece on Suburbicon and the weird way each George Clooney film is worse than the last, and the new Fall of 1997 column, featuring Boogie Nights and Happy Together.

I reviewed the very lovely Wonderstruck, as well as the provocative The Square.

I also did a NYFF wrap-up, with capsule review of those two, plus Last Flag Flying, Lady Bird, Mudbound, and more.

Rather than review The Snowman, I saw that its hero is named "Harry Hole" and just did a list of silly character names.

I did the monthly run-down of what new movies are streaming where.

Also did a round-up of where to stream good, older horror movies this Halloween.

I did a gallery of Monty Python fan art, because I had an excuse to.

Oh, and this thing I wrote about Alec Baldwin being a dick on Twitter got a fair amount of reaction and pick-up.

DVD/VOD guides for 10/17 and 10/24.

And here are your Deuce recaps, of episodes six and seven.

Monday, October 16, 2017

I Wrote These Things: Week Ending 10-14

I reviewed The Meyerowitz Stories (New and Selected). It's great!

I reviewed Woody Allen's Wonder Wheel. It's not!

Here's a cool gallery of the illustrations for a new edition of Philip K. Dick's Do Androids Dream of Electric Sheep? and A Scanner Darkly.

We've been covering the Weinstein scandal, of course - here, here, and here.

And, as usual, a new BD/DVD/VOD guide and a new The Deuce recap.

Friday, October 6, 2017

I Wrote These Things: Week Ending 10-7

Hey, here's a review of Blade Runner 2049! It's really good!

And The Florida Project! It's even better!

The New York Film Festival is underway, and I did a preview.

A new month is underway, so I did a streaming round-up and indie preview.

Here's a cool gallery of original illustrations for fancy new editions of The Shining and The Exorcist.

Of course, we have the buying and streaming guide for 9/26 and 10/3.

And Deuce recaps of episodes three and four.

Last but not least, here's column number two in the Fall of '97 column over at Vice, featuring The Ice Storm, The Edge, and Fast, Cheap, & Out of Control.

Wednesday, September 27, 2017

I Wrote These Things: Weeks Ending 9/23

Guess what? I have a new biweekly limited-run column at Vice, looking back at the amazing movies of the fall of 1997 - and here's the first one, on L.A. Confidential and The Game. 

Also, I wrote this about The Discourse surrounding mother! and Woodshock.

And I reviewed Stronger, which is thankfully better than it looks.

It sure is a big hit! It's fine.

I'm covering The Deuce, heavily, because why wouldn't I? Before its premiere, I did a round-up of true porn stories that I hope they squeeze in. And, thus far, I've recapped episodes one and two.

And there are, of course, BD/DVD/VOD guides for 9/5, 9/12, and 9/19.

And last but not least, I went to TIFF.

For Flavorwire, I did this preview piece, and then daily diaries:

Day 1: The Killing of a Sacred Deer, Roman J. Israel, Esq., Molly’s Game, Brad’s Status, and The Final Year.

Day 2: The Shape of Water, Battle of the Sexes, Novitiate, and Ex Libris: New York Public Library.

Day 3: Hostiles, First Reformed, Euphoria, and Outside In.

Day 4: mother!, Lean on Pete, Who We Are Now, and Super Size Me 2.

Day 5: Disobedience, Film Stars Don’t Die In Liverpool, and Scotty and the Secret History of Hollywood.

And then I did several stand-alone reviews for Pajiba: The Death of Stalin, Three Billboards Outside Ebbing Missouri, Downsizing, I Love You Daddy, Unicorn Store, and I, Tonya.

And now, TO BED.

Friday, September 1, 2017

I Wrote These Things: Week Ending 9/2

So this week I wrote two fairly big things that I'm pretty proud of. First of all, I wrote this piece on Fiona Apple, and specifically the night, 20 years ago, when she accepted an MTV VMA and told everyone who'd listen that this world is bullshit. True then, even more true now.

And I wrote a big thing about the marvelous erotica of Radley Metzger, aka "Henry Paris." For this piece, I literally had to watch porn for work. Beats breaking rocks.

I meant to just write a quickie news piece on how our president can't spell a simple goddamn four-letter world properly, and it turned into this.

I did the usual top-of-the-month movie guides: the best indies in theaters, and the best movies on the streaming services.

And, of course, your BD/DVD/VOD guide.

Sunday, August 27, 2017

I Wrote These Things: Weeks Ending 8/26

I reviewed Logan Lucky, which is glorious, and some of you didn't see it, shame on you.

And, related to that, did a listicle of the best movie heists.

Wrote a little something about our racist garbage goblin president's response to Charlottesville.

And I did a brief but genuine Fall Movie Preview.

Also reviewed Patti Cake$, which has its problems.

And I wrote about the very good bio-doc Whitney: Can I Be Me.

Did a Second Glance on Cop Land, and a Bad Movie Night on Ninja III: The Domination.

And here's your BD/DVD/VOD guides for 8/15 and 8/22.

Saturday, August 12, 2017

I Wrote These Things: Week Ending 8/12

The craziest thing happened this week, something that almost never happens: I worked really hard on a piece, and then people liked it, and a lot of people (way more than I would've anticipated) read it. It's about Bonnie and Clyde - not the movie, which turns 50 this weekend, but Pauline Kael's game-changing review of it. Give it a look.

I wrote a 25th anniversary appreciation of Unforgiven.

And I reviewed Good Time, which is scuzzy and strange and kind of great.

This week's bad movie night is James Foley's Madonna vehicle Who's That Girl, which benefits from a fair amount of leftover late-'80s HBO-play affection.

And, as always, your DVD/VOD guide.

Saturday, August 5, 2017

I Wrote These Things: Weeks Ending 8/4

Funny thing about taking two weeks of vacation in one month: between laying things out for when you're gone and catching back up when you're back, you may let a few things slide - like, say, this. Anyway. Here's a month's worth of things I wrote.

I wrote this piece about Detroit - and the questions it raises off-screen.

I wondered why superhero movies always come too quick.

Holly Hunter is great in Strange Weather and The Big Sick and in general, so here's a thing about how she's taken for granted.

Also, wrote about why Dunkirk is almost a masterpiece. (And updated my Nolan rankings.)

I reviewed War for the Planet of the Apes, a rare reminder that effects can serve movies, rather than the other way around.

I looked at how To the Bone rises about its TV-movie tendencies.

I said this back at Sundance, but Landline is just lovely.

Lost in America hit the Criterion Collection, so I went long on it.

Did Second Glances on The Pallbearer and Raising Cain, and Bad Movie Nights on The Apple and Jaws: The Revenge.

Oh, and a good old-fashioned Flavorwire listicle of great modern action sequences (tied to Atomic Blonde).

A new month began, so there were guides! The regular monthly indie round-up, of course, and a new feature running down the best of the new streamers.

Gallery 1988 did an exhibit of art based on Mattel toys, and it's pretty cool.

And DVD/VOD guides for 7/11, 7/18, 7/25, and 8/1.

Friday, July 7, 2017

I Wrote These Things: Week Ending 7/8

This week, I asked the tough question: does Trump tweet on the can?

Film Forum is doing a big series of "New York in the '70s" movies that I'll be spending quite a bit of time at, and I did this round-up of some of them.

I reviewed A Ghost Story, which is kind of amazing.

I didn't review Spider-Man: Homecoming, but jotted down some brief thoughts in this week's theatrical capsules.

Oh, and of course, I did a DVD/VOD guide.

Friday, June 30, 2017

I Wrote These Things: Week Ending 7/1

The big, big deal this week was getting to sit down with one of my favorite filmmakers, Errol Morris, to talk about his new movie The B-Side: Elsa Dorfman's Portrait Photography and the current state of documentary cinema. Here's that interview, which I'm very proud of.

I'm also very happy with this piece on Bong Joon-ho's Okja, which is both a review and an analysis of what it means for Netflix.

We don't do nearly as much of the clapping-back-at-hate-reads type of thing anymore, but this bullshit from The Hollywood Reporter deserved it.

Baby Driver isn't quite the revolution some of my colleagues have framed it as, but it is an awful lot of fun.

July is upon us, so here's an indie guide!

And here is a very, very full BD/DVD/VOD guide.

Friday, June 23, 2017

I Wrote These Things - Weeks Ending 6/24

In this week of a new Transformers movie, I ignored a new Transformers movie. Instead:

I reviewed Sofia Coppola's remake of The Beguiled.

I wrote about The Big Sick - the movie, and the widespread complain that it's too long. (Spoiler: It's not.)

And I took a look at the new (and excellent) Netflix doc Nobody Speak: Trials of the Free Press.

For this week's Second Glance, I took a rare literal second glance at Joe Versus the Volcano.

There was, of course, a BD/DVD/VOD guide.

And I usually don't include news posts, but here's what happened when my editor asked me to write something about Downton Abbey.

Sunday, June 18, 2017

I Wrote These Things: Week Ending 6/18

Rough Night was one of the few movies of the summer I was really looking forward to, and boy did it let me down.

And All Eyez On Me is bad, bad, bad, bad, bad. (Also, it mentions pretty much every single thing he ever did - except Poetic Justice. There's an explanation!)

BAMcinemaFest started Wednesday, so I saw a bunch of their movies and capsuled them.

Seriously, WTF is going on with The Beguiled's social media campaign?

I did Batman & Robin for Bad Movie Night, and kind of can't believe I hadn't done Batman & Robin for Bad Movie Night.

And, of course, your DVD/VOD guide.

Friday, June 9, 2017

I Wrote These Things: Weeks Ending 6/9

I spent way too much time digging through the Twitter feeds of DC fans, and came up with this.

And much of that was brought about by the release of Wonder Woman, so here's a review of that.

I did interviews! Which I don't do that often! Here's one with Ernest Dickerson.

And here's one with Charley Taylor, about his staggeringly good book.

I reviewed It Comes at Night, which is out-frigging-standing.

Beatriz at Dinner is a sharp movie, and an unexpectedly trenchant one.

War Machine isn't very good, but it's an important signpost for Netflix.

I really liked Long Strange Trip, and I'm not even all that into the Grateful Dead.

Sean Hannity is losing his fucking mind, so I wrote about that.

A new month started! Here's an indie guide!

There was a Star Wars anniversary, which means forty years of people writing dumb things about it.

There's a remake of The Beguiled coming out, so Second Glance revisited the original.

For Bad Movie Night, I took an anniversary look at the (not bad at all) Ishtar.

And of course, your buying and streaming guides, for 5/23, 5/30, and 6/6.

Saturday, May 20, 2017

I Wrote These Things: Weeks Ending 5/20

If you do a summer movie preview, you should probably do an anti-preview too. At least, you should do one this summer.

I meant to just write something about Netflix's new "Skip Intro" thing and ended up writing a goddamn manifesto. tl;dr: keep your tech away from my art.

Also asked what the hell is going on over at MSNBC.

Trump fired off a bunch of tweets about Comey, and I wrote about it. This seems so very, very long ago.

I wrote a review of the unfortunately not-great Alien: Covenant.

Also not great? Snatched.

But here's a good review - of an HBO movie, Barry Levinson's The Wizard of Lies.

In advance of the return of Twin Peaks, I wrote one of like a dozen appreciations of Twin Peaks: Fire Walk With Me.

A bunch of '90s indie filmmakers gathered at Lincoln Center to talk about John Pierson and Split Screen, so I covered that.

Gallery 1988 did a Stephen King tribute show, so here's some good stuff from that.

And your buying/streaming guides for 5/9 and 5/16.

Sunday, May 7, 2017

I Wrote These Things: Weeks Ending 5/6

Tribeca happened! And I covered the shit out of it!

First and foremost, there are wrap-ups - capsule review of all the narratives and all the documentaries I saw.

There was a big Reservoir Dogs reunion, and I wrote about it.

There was a big Godfather reunion, and I wrote about that too.

On the new Clive Davis documentary, and the opening night concert.

On the new Puffy Combs documentary, and its concert.

Michael Moore did a retro screening of Bowling for Columbine, and had things to say after.

There were Tribeca Talks too! Jon Favreau and Scarlett Johnasson, and Noah Baumbach and Dustin Hoffman, and Paul Feig and Michael Che.

And I wrote up the big premieres of The Trip to Spain and The Circle. One of them is good. I'll let you guess which.

Also, there were other things! For example, this big feature I did on all the L.A. riot/Rodney King specials and documentaries.

And this piece I wrote about how Donald Trump treats the presidency like a beauty pageant win.

Gallery 1988 did a Veep show, and I put a gallery together.

There is a May indie guide, and God knows we'll need it.

Related: did a very low-expectation summer movie guide.

I did a Second Glance on the original, 1990 film adaptation of The Handmaid's Tale.

And DVD/VOD guides for 4/18, 4/25, and 5/2.

Friday, April 14, 2017

I Wrote These Things - Week Ending 4/15

The new Mystery Science Theater 3000 is out! I reviewed it! It's great!

And in the run-up, I had the exceedingly difficult task of picking my ten favorite episodes.

Here's something about that United video, and the kind of people who defended thuggery and corporate browbeating.

Richard Gere is great in Norman - but then again, Richard Gere is great in pretty much everything.

I did a Bad Movie Night on Red Dawn. (The original, not that it matters.)

And, of course, your Blu-ray/DVD/VOD guide.

Sunday, April 9, 2017

I Wrote These Things - Weeks Ending 4/8

Venturing into the politics vertical, I wrote about that stupid thing where Mike Pence won't be alone with women. It's #actually kind of important.

I wrote about Five Came Back. It's great!

I wrote about Going In Style. It stinks!

And then this, about The Boss Baby, which is not about Trump.

For Second Glance, I looked at Scorsese's super-underrated The Color of Money.

There is, of course, an indie guide for April.

And we have Blu-ray/DVD/VOD guides for 3/28 and 4/4.

Tuesday, March 21, 2017

I Wrote These Things - Weeks Ending 3/21

The big deal of the last couple of weeks - and the reason why it's been a while since I did one of these - was SXSW, my favoritest film festival of all. Here's the coverage:

I did a preview, of course.

And something about the fan-friendly Alien event.

I covered a female-heavy panel about the challenges of representation in media.

I watched Fred Armisen talk to Bob Odenkirk.

There was a very big, fascinating panel with the cast and showrunner of Veep.

And I did wrap-ups, of the documentary and narrative films.

Oh, and while I was there, I saw Song to Song, and was not into it.

T2: Trainspotting sounded pretty desperate, but I found it surprisingly sharp and affecting.

I reviewed Kong: Skull Island, which is bad.

For a Skull Island-inspired installment of Bad Movie Night, I looked at the 1976 rip-off A*P*E.

I wrote about the one insult Piers Morgan is able to slap together.

And here's DVD/VOD guides for 3/7 and 3/14 and 3/21.

Friday, March 3, 2017

I Wrote These Things: Week Ending 3/3

Feud: Bette and Joan premieres this weekend, so I took the opportunity to write about What Ever Happened to Baby Jane?

I reviewed Logan, which is pretty good! It might not be as good as you've heard.

It's the first of the month, so I did an indie guide.

I wanted Table 19 to be on it, but boy was it not good, so I wrote a quick capsule review here.

Good lord it seems like years ago know, but I did an Oscar post-mortem.

And, of course, this week's BD/DVD/VOD guide.

Friday, February 24, 2017

I Wrote These Things: Week Ending 2/24

I did a supercut! My first one in like two years! Enjoy over 100 clips of this year's Oscar nominees, before they were stars.

And speaking of the Oscars: Yes, I did predictions, it's legally required of all film writers.

Also, here's a review of Get Out, which is as great as you've heard.

This got some... spirited feedback: a reminder, post-Milo, that Bill Maher is the worst.

And this week's DVD/VOD guide.

Friday, February 17, 2017

I Wrote These Things: Weeks Ending 2/17

Yikes, I let this go a bit.

First and foremost, big new cover story on the final effects of Oscar nominations and wins.

Dug a bit into The Great Wall, and the controversy around it.

I reviewed John Wick: Chapter 2, which is great.

I also reviewed The LEGO Batman Movie, which is also great.

I wondered what kind of Oscar show they should even have this year.

I had some great ideas about who should direct The Batman!

I reviewed The Comedian, and dug a bit into our current lives-of-comedian overload.

Another swing and a miss: Ricky Gervais's rather desperate reanimation of David Brent, Life on the Road.

There's a new recut and restoration of Beat the Devil, so I wrote about that.

Also did our annual Oscar nominee priority guide.

For Bad Movie Night, we did a rare new release: Fifty Shades Darker. You understand.

For Second Glance, I took a look at the currently inescapable They Live.

There was, of course, a February indie guide.

And, last but never least, Blu-ray/DVD/VOD guides for 1/31, 2/7, and 2/14.

Monday, January 30, 2017

I Wrote These Things: Post-Sundance Edition

Hey, I'm finally not only back from Sundance, but caught back up from Sundance! That can take just as long as the festival itself. Here's some stuff I've written about it, and after:

First of all we did our customary Sundance preview, which usually gets way more traffic than any of the actual reviews, so insert sad commentary on the culture of anticipation here.

And I did the diary thing at Sundance this year:
Day 1: An Inconvenient Sequel and The Little Hours.

Day 2: Landline, The Incredible Jessica James, Ingrid Goes West, and Person to Person.

Day 3: The Big Sick, Mudbound, The Hero, and Before I Fall.

Day 4: To the Bone, Wind River, Wilson, and Gook.

Day 5: Manifesto, The Polka King, Lemon, and Tell Them We Are Rising.

Day 6: Nobody Speak, Marjorie Prime, Golden Exits, and 78/52.

Day 7: Oklahoma City, Quest, Trophy, and final thoughts.

I also reviewed Gold, which has McConaughey hitting some awfully familiar notes.

As well as The Salesman, which is genius.

Bad Movie Night is back, and I finally did The Happening.

And, of course, a home media guide for 1/24.

I Wrote These Things: Pre-Sundance Edition

I'm headed off to Park City, Utah today, for my sixth year covering the big ol' snowy indie clusterfuck known as the Sundance Film Festival. But before I go, here's a few recent items I've run over at Flavorwire...

I wrote about Peter Berg and Mark Wahlberg's "docbusters," and what they say about the stories we want to be told about America right now.

I floated the notion that artists and celebrities actually can be helpful in #TheResistance - as irritants.

On Oscar nomination due day, I offered up some less-buzzed awards-worthy performances.

I reviewed Bright Lights: Starring Carrie Fisher and Debbie Reynolds, which is wonderful.

I weighed The Founder against the current figure it can't avoid invoking.

And, of course, DVD/VOD guides for 1/10 and 1/17.

Wednesday, January 4, 2017

Big Year-End and Year-Beginning Catch-Up!

So the wildest thing happened: we went and had another kid. Well, "wild" might not be the right way to put it, since it makes it sound like it was unexpected in some way; it was totally expected, and in fact, I knew about for so long (nearly nine months) that I had time to write and file a whole bunch of pieces that ran while I was on family leave. Here they are!

It wouldn't be the end of the year without a whole bunch o' lists. So here's my 10 best movies of the year, 10 best documentaries of the year, and 10 great movies from 2016 that you can totally stream right now.

And I wrote a "Year in Culture" piece on how 2016's African-American films directly and indirectly addressed #OscarsSoWhite and Trump's America.

Reviews! Fences is very good, and so is Paterson,  20th Century Women is even better, and both Live By Night and Hidden Figures have good stuff and some real problems.

For a special holiday Second Glance, I looked at Ted Demme's The Ref.

Of course, we listed our most anticipated movies of 2017, and managed to include no sequels and only one remake.

And a whole bunch of Blu-ray/DVD/VOD guides, for 12/13 and 12/20 and 12/27 and 1/3.